Sports
Direct is bad…and terrorism is good, so long as you direct it at the right
company.
That’s
the message of this episode, which is slightly confusing as far as responsibility
goes.
So,
the plot.
The
Doctor receives fez from the titular delivery service that was apparently
ordered by Eleven. It contains a note calling for help that the Doctor acts on
in order to progress the plot.
The
episode is alright even if it does carry over some of the ham-fistedness of
last week.
The
message is obvious and adequately delivered, but for the Doctor spelling it out
right at the end which was unnecessary. Why work the message into the themes of
the episode, if you were just going to run through it in dialogue later.
Lee
Mack also has a cameo in this episode, contrary to what the post-credit guest
star run down from episode one would have you believe. He gets to tell a few
jokes and I suppose it’s an improvement on the last time they just threw a
comedian into an episode.
Everyone
is given something to do in the episode, with clear roles for all the cast to
occupy. Ryan has another piece of back-story added, as he used to work for
Sports Direct. I’m a little bit worried that this is going to become a habit of
the writers, in terms of just throwing things into Ryan’s past. What happened
to his vlogging?
The
Doctor finally manages to wrestle back the limelight after being overshadowed
in both the preceding episodes. Although, her moment is slightly undermined by
the fact that she’s written to be unsure of herself. She can’t be the moral
authority of an exchange and simultaneously unsure if she’s saying the right
thing. It seems that writer Pete McTighe has taken more than a fez from Matt
Smith’s run. But the reason that Smith could pull off the mad man in a box routine
was that he dropped it when a serious moment arose. That sort of thing ensured
that the tone shifted at the right time.
Aside
from that, the Doctor’s stage presence is massively improved, but it’s too far
into the series for her to still be trying to figure out her personality.
The special
effects are…clearly “within budget” particularly in the massive distribution
scene.
Overall,
an improvement, but the bar wasn’t exactly high.
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