Sunday, 25 November 2018

Doctor Who: The Witchfinders

King James wants to shag Ryan…okay then.




The plot:

The Doctor accidently ends up in Lancashire in the 1700s, whilst trying to get to Elizabeth I’s coronation.

She and her companions then find themselves embroiled in the murderous plans of Lady Becka Savage who’s been branding every woman she sees a witch and killing them.

The story is serviceable, if a little patronising. This is ironic, as it’s most patronising moment came when the Doctor pretty much looked at the camera and said ‘I’ve just been patronised because I’m a woman in the 1700s.’ I mean, was that supposed to be a self-aware joke; I just saw that happen, the Doctor’s visible frustration is enough to convey that. Visual story-telling; Show, don’t tell.

There were some funny moments, mainly based around Alum Cummings’ performance as King James. In particular, his poorly disguised infatuation with Ryan calls back to the old days of Russell T Davies’ comedic use of sexuality.

Another thing that’s back from the T Davies era; really bad audio management in the post-production. I actually said out loud to turn the music down during the Doctor’s witch trial. As budgets go for BBC series, Doctor Who gets a shedload, so there’s no excuse for this amateurism.

The witch-zombie things are pretty effective as villains, but the big boss (Evil Becka Savage monster queen) kind of strips away their creepiness, given that she looks like the monster of the week.

Overall an improvement on story, but a poor effort by post-production…looking at you sound guy.




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